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Okay, we finally get an incontrovertible case of "praise genre but good"! This is the kind of thing you'd sing at a campfire at church camp in a guitar-friendly key. I think it has corresponding hand motions ("heaven," "lift," "sky,") but maybe I'm just remembering other examples of the type. I think there might also be a harmony/echo part in some of the campfire arrangements, but not here. Anyway. It's good.
Okay, this is definitely one that gets to be in the "praise genre but good" section. Guitar-friendly key, chorus/verse structure, catchy enough to sing at church camp. I think it used to be categorized as Epiphany (or post-Epiphany, Transfiguration?) but is now in the Witness section, which feels less relevant. Is it like "This Little Light of Mine," ie, we're expecting our lives to reflect Jesus' light? I guess. I also don't really know what the "river" is, it doesn't seem to be a metaphor for heaven in this case. Maybe, like, physical rivers provide nourishment for crops, and we want God's river to provide mercy for every land? I guess...

I'm being hard on it here in the last couple lines but this one actually is very good.

I'll go ahead and put this in the "praise genre but good" category--the key signature (E major) indicates guitar-friendliness to me. The metaphor here is from the parable of the sower and the seeds, which relates different types of people to different types of soil where God's word may or may not "take root" and grow. So in that sense, "break the stone away" refers to the rocky ground that some people might be. But I also like that phrasing because it brings to mind rolling the stone away, as in Easter.
I'm going to go ahead and tag this one "praise genre but good" because I'm worried we might never use that tag again, and while hilarious, that seems a little sad. It's decent. A major is good for guitarists and string pals; the verse/refrain structure is pretty "modern," and I like that they say "okay stanza 1 is immediately followed by stanza 2, all the other verses you go to the refrain afterwards."

All the verses are in quote marks, even though they're all God talking to humans, you'd think they could just leave those out.

The mapping of words to notes is very loose, which gets it the "irregular" meter tag.

The rhyme scheme starts out decent, we make it to "shame/name" in verse 3, and then in verse 4 "name/pain." So not only a weird slant rhyme, but also duplicating one we already had, ouch!
Is this a praise song?

Yes, the kind you might sing at a church camp. But it's good!

Does the composer have a balling name?


Yeah. Darlene Zschech. Not sure how to pronounce that, but it's the last in the alphabetical listing.

Why is the melody so low?

I suspect so that a guitar can play it (see "church camp" above, it's in A major which is a good string key).

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