#854: Blessing and Honor

This probably takes the crown for the most absurd tenor/bass gaps; there are two different places where the tenors are almost two octaves above the basses. (Low F/high E-flat, and then low E-natural/high D-flat.) I don't know who they expect to play that with their left hand, but in those cases the right-hand part can probably cover the tenors. Despite that, the overall span of low E-natural to high E-flat is still less of a gap than 573.